Bees vs Punch & Judy I
Originally uploaded by Paul Russell99
2000s (1 No. 1)Of course one of the things that it shows is not so much the decline of UK acts as much as the decline of bands.
"Viva La Vida" by Coldplay
1990s (2 No. 1s)
"Wannabe" by The Spice Girls (February 1997)
"I'm Too Sexy" by Right Said Fred (February 1992)
1980s (25 No. 1s)
"Good Thing" by Fine Young Cannibals (July 1989)
"She Drives Me Crazy" by Fine Young Cannibals (April 1989)
"Red Red Wine" by UB40 (October 1988)
"(I Just) Died in Your Arms" by Cutting Crew (May 1987)
"Human" by Human League (November 1986)
"Venus" by Bananarama (September 1986)
"Invisible Touch" by Genesis (July 1986)
"Holding Back the Years" by Simply Red (July 1986)
"West End Girls" by Pet Shop Boys (May 1986)
"Money For Nothing" by Dire Straits (September 1985)
"Shout" by Tears For Fears (August 1985)
"A View To a Kill" by Duran Duran (July 1985)
"Everybody Wants to Rule the World" by Tears For Fears (June 1985)
"Everything She Wants" by Wham! (May 1985)
"Don't You (Forget About Me)" by Simple Minds (May 1985)
"Careless Whisper" by Wham! featuring George Michael (February 1985)
"The Reflex" by Duran Duran (June 1984)
"Karma Chameleon" by Culture Club (February 1984)
"Owner of a Lonely Heart" by Yes (January 1984)
"Every Breath You Take" by The Police (July 1983)
"Come On Eileen" by Dexy's Midnight Runners (April 1983)
"Don't You Want Me" by Human League (July 1982)
"Another One Bites the Dust" by Queen (October 1980)
"Another Brick in the Wall (Part II)" by Pink Floyd (March 1980)
"Crazy Little Thing Called Love" by Queen (February 1980)
Are you looking for an exciting opportunity make a real impact with your business and marketing writing talents? A dynamic, entrepreneurial for-profit college in Northwest DC is looking for an experienced copy writer and desktop publisher to lead aspects of both internal and external written communications. . . . You will report directly to the Senior Vice President of Sales and Marketing and will be responsible for writing, editing and proofreading a wide range of print and online materials including content for our web site, emails to students, and other marketing materials.But wait, there's more!
While you are writing copy you will also fill the role of security guard, working 6:30 p.m. to 10:30 p.m. Monday through Thursday. We will buy your uniform. You won’t carry a gun. Applicants must be able to pass a drug screen as well as a criminal background check. The security guard spends most of the shift seated at the reception desk, and there will be very minimal security duties. Practically the entire shift you will be able to focus on writing copy – you’ll just happen to be wearing a uniform.This is why I love middle management academia. Always thinking outside the box!
But Mojo wasn't just an enterprise based on challenging Rolling Stone for the title of "magazine that puts the Beatles on the cover for the most cynical, flimsiest of reasons whenever it needs a circulation boost or is otherwise short on ideas" (9 times since 1993, tied with Pink Floyd and not counting issues devoted to post-Fab careers). AP certainly had no problem whatsoever slapping down eight bucks a month for a magazine that, for no apparent reason other than it would probably be interesting to rock nerds, put out a Krautrock issue in 1997, the same year that brought a pre-Volkswagen campaign Nick Drake cover feature. Or would publish career retrospectives of AP's beloved Todd Rundgren and Roxy Music. AP could forgive the mag's fascination with Gomez, an English band that wished desperately to turn into Ry Cooder circa 1969.
The Juba dance or hambone, originally known as Pattin' Juba (Giouba, Haiti: Djouba), is a style of dance that involves stomping as well as slapping and patting the arms, legs, chest, and cheeks. . . . The Juba dance was originally an African-American plantation dance, brought from West Africa by slaves who performed it during their gatherings when no rhythm instruments were allowed due to fear of secret codes hidden in the drumming. According to one source, the sounds were also used just as Yoruba and Haitian talking drums were used to communicate. The dance was performed in Dutch Guiana, the Caribbean, and the southern United States. . . . Modern variations on the dance include Bo Diddley's "Bo Diddley Beat" and the step-shows of African American and Latino Greek organizations.Lee at Music You (Possibly) Won't Hear Anyplace Else has a wonderful file up here showing the beat pattern as it evolved in the 20th Century "Pre-Diddley."
Disk Jockey: So tell me, how much were you influenced by the Hambone?
Bo Diddley: What! Hambone! What [expletive] [expletive] Hambone? [expletive] [expletive] [expletive] [expletive] [expletive] [expletive] ignorant [expletive] [expletive] [expletive]! [expletive] [expletive]! [expletive] Hambone.
These last few months I have been kicking around the idea of starting back on the blogging train. It hasn’t been much of an idea, but never...